Rijksakademie OPEN, studio 24

Rijksakademie van Beeldende Kunsten, Amsterdam, 25–27 November 2016

Rijksakademie OPEN, studio 24
Rijksakademie OPEN, studio 24
Rijksakademie OPEN, studio 24
Rijksakademie OPEN, studio 24
Rijksakademie OPEN, studio 24
Rijksakademie OPEN, studio 24
Rijksakademie OPEN, studio 24
Rijksakademie OPEN, studio 24

Irritation: evoke unpleasant feelings, negative excitement, hinder, harass, provoke anger.

1) The remains of bicycles on a bike rack. 2) A demobilized bicycle, a stolen wheel. 3) Eyelashes on a photo print or etching plate. 4) Remains of people, eyelashes, nails, hair.

Abject: repulsive, despicable, low, disgraceful, dirty, despicable.

1) Remains of what was alive, eyelashes, nails, hair. 2) Remains of behaviour, litter, bicycle parts on the street, worn clothes. 3) Body fluids, sweat, faeces, saliva.

Residue: a small amount of something that remains after the main part has gone, been taken or used.

1) The flowers that you received at the opening yesterday. 2) Eyelashes, nails, hair. 3) The remains of bicycles on a bike rack. 4) Sweat stains. 3) The emotions, personal experiences and ideas of an artist in an artwork

Emotions: a strong feeling deriving from one’s circumstances, mood, or relationships with others. Instinctive or intuitive feeling as distinguished from reasoning or knowledge.

1) The artist brings about a change of emotions by the viewer through mechanical means. 2) The joy and melancholia of the memory of yesterday’s opening by looking at the flowers you received. 3) Seeing your hometown on the television show ‘Happy Valley’ and finding your own loneliness embodied in a shot of bicycles remains on a bike rack. 4) The frustration of an eyelash on the etching plate. 5) The repulsion of sweat stains 6) Secondary more complex emotions that are triggered by basic emotions like rage, terror, anxiety, joy. 7) Secondary more complex emotions that are triggered secondary objects. The real object is not shown only a symbol or a different kind of representation or a different substance or form.

Laura van Grinsven


Rijksakademie van beeldende kunsten, Mondriaan Fonds, Stichting Elise Mathilde Fonds, Stephan Kuderna, Claudia Martínez Garay

photo credits: (img. 1, 3, 4, 6, 7) Sonia Mangiapane, (img. 2, 8) Jack Cawood, (img. 5) Gert Jan van Rooij

Alex Farrar
Born 1986 in Leeds, United Kingdom
29.3.18 – 2.4.18 Unfair at Westergasfabriek, Amsterdam
22 - 26.2.18 Christie’s Fundraiser Auction for Unfair 2018 at Arti et Amicitiae, Amsterdam
21 – 25.2.18 Arco Madrid with Dürst Britt & Mayhew
16.2.18 – 24.3.18 ‘Body Building’ group exhibition at Dürst Britt & Mayhew, The Hague
7 – 21.12.17 ‘Places of Ruin Part III Beyond Thunderdome’ group exhibition at NEST, The Hague
John Cleese on Creativity featured in Fay Asselbergs’ The Extended Colophon
20.10.17 ‘Distant Constellations’ group exhibition at The Great Medical Disaster, Manchester
6 – 10.10.17 ‘Staging the inhabitable’ group exhibition at Cultureel Centrum het Fijnhout, Jacob van Lennepkade 334, Amsterdam
1.5.17 – 1.5.19 Kindly supported by the Mondriaan Fonds Stipendium for Established Artists
18 – 21.5.17 Arco Lisboa with Dürst Britt & Mayhew
6 – 9.2.17 Guest lecturing for the Autonomous Fine Arts department of the Royal Academy of Art, The Hague.
3.1.17 the ‘suits’ archived book will be distributed by Idea Books and is available now via their website and associated bookshops.
recent exhibitions
Dürst Britt & Mayhew
aaaeflrrrx.eu was built with the ingenuity and patience of DisplayHooray.
The typeface used throughout is Maria Pro, created by Phil Baber, whose 2010 design for the Index book reappears here in the work pages.
Credit also goes to Qubik for my original website (2010–2014), which lives on in the icon based home page.